Keri Behles

For the final video I decided to edit clips of mass shootings together and add audio from debates and interviews on top that slowly overlap to the point that you can't understand anything that's being said. I wanted to do this because I feel like society and news network politicize shootings to the point that the conversation gets lost and nothing will get done. The video reflects how I see every debate about gun reform go where they stop talking about the lives lost and instead focus just on the guns and what they would do with their guns and just forget that it isn't about them, it's about the lives being lost because the U.S. Government can't make a decision on how to solve the issue at hand. It becomes more of a debate about whether there is a gun issue or not. Which obviously there is an issue with guns in America. That's what the video clips I used show. The high number mass shootings in America is a product of the gun culture of America. I didn'

1. Studio Killers - Virtual I consider the Studio Killers to fit into the virtual movement because they are not only a virtual band, but also refuse to identify themselves in real life, which solidifies themselves as a virtual band. Their music is also very nontraditional, as they are made up of one singer and two DJ's and their music is only mad up from vocals and synthesizers. 2. Robert Delong - House I consider House to best fit Robert Delong because of his use of manipulating his own voice with various instruments he builds himself and the style of his music is easy to dance to and be able to enjoy in a club. 3. Alle Farben - Electronic Producer/DJ Culture I chose Alle Farben for DJ Culture because of the presentation of his music in concert and his use of technology as his instrument. He also rarely ever lacks any vocal element in his songs, which I think makes him more similar to the DJ culture and to what DJ Khaled is doing, than to EDM. 4. Poppy - Techno

For the performance art project I was inspired originally inspired by Tatsumi Hijikata for the creepiness of his animation, but I soon discovered Benjamin Bennet, who had also managed to create an air of creepy by sitting motionless for hours. I wanted my performance to be a contradiction, in that I am lit up to symbolize the light of life, but remain motionless to create this kind of unnatural feeling to see if that contradiction would unsettle people. That response of being unsettled was what I mainly got from people, especially kids. I was mistaken as a statue until people walked past and I could see them kinda jump and stare at me as they walked past, most people were afraid to get close to me which I found interesting because I was essentially just sitting still, nothing that people would say they get creeped out by, but upon being faced with it they would keep about 10 feet away. For the technology aspect, I wrapped myself in battery powered string lights, which made peopl